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Every character in a typeface is a glyph (Figure 6-2). There is some overlap in what each typeface has, but the overlap is generally small—and this means the possibilities for creating a font for print are in the thousands.
Figure 6-2: Glyphs—the parts of the typeface that make up the characters.
To create a font for use in print, you must first create an outline, essentially a simplified form of the font. Adobe makes creating outline fonts incredibly easy through a process called _font creation._ After you create your outline, you then need to move to the formatting (styles) of the text.
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While free on Adobe’s website, the maximum number of computers you can use the software on is 10, which means there is a long list of people waiting to get their hands on a copy.
Luckily, we came up with a way to get you access to a copy of Photoshop Elements without waiting for Adobe to get around to distributing it.
DOWNLOAD ACQUIRING SOFTWARE
On the official Adobe website, you can purchase a subscription to the Software Assurance plan. If you already have Photoshop software, you can find your license key below. However, this is only valid for an individual license. If you need to purchase a single license for a business or enterprise, you will need to get in touch with Adobe at the following email address:
Your subscription starts from $20, and you will receive the license key via email after purchase. Please keep in mind that access will expire in just over one year, and you will have to re-purchase it. The documentation for Photoshop Elements 2019 has been removed from the official Adobe site, but you can still view the PDF document for the specific version of Photoshop Elements here.
ACCESSING THE SOFTWARE
After you have purchased the software, make sure to keep your license key safe in case you forget it.
The software is available for both macOS and Windows. If you are on macOS, make sure to double-check the License agreement before running the installer.
If the software isn’t already installed, download the installer from the official website.
Running the installer will either give you the option to install Photoshop Elements or it will ask you to upgrade an existing version of the software.
After the installation is complete, make sure to check that you have the latest version of Photoshop Elements by opening the app and looking for the Help menu.
Once you have installed the software, launch Photoshop Elements, open the app and follow these steps:
Click on Window | Preferences.
Click on Installation | Rollback.
Click on Restore Preferences.
The software will then ask you to restore the software. This will clear any modifications made to the software and will restore it to its original state.
Remember to leave your software license key safe!
UNINSTALLING THE SOFTWARE
Uninstalling Photoshop Elements will remove it from your computer and free up space.
Click on the Photoshop Elements icon
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Every week, the cast of Robot Combat League finds an inanimate object to make a weapon.
Robot Combat League is an upcoming new science-fiction animated series on Adult Swim that will involve robots fighting other robots, and that’s essentially its premise, though it is more about robots losing fights rather than them winning.
At the centre of all this is one giant robot (after all, robots take up a lot of space, and the human brain is a much-smaller part of our anatomy), known as the “Centaur”, a fusion between man and robot that is controlled via a wrist-mounted command station. The Centaur is a sleeper, built by the ruling council, and programmed with a series of atavistic responses for when its control is sensed being wrested away. When the Centaur’s master is re-programmed, it can become apathetic, amoral, horrified, and perhaps even suicidal. At a certain point, it ceases to care if it is fighting or not, and begins to fight because it is programmed to do so.
If it takes its own life to become a decoy, then the Centaur has a backup plan in place. Its twin (it has two, one on the left side and one on the right, and they can fight each other) can also become apathetic, and it can decide to have its own suicide mission. Here it can then perform the Centaur’s “adopted sons” suicide tactic, wherein it can reprogram the robot combat league’s other robots to hold competitions among themselves and serve as the Centaur’s defenders if the conflict ever degenerates into chaos.
Over the course of the show, the Centaur and the twin will face off against a series of new robots, who will then be incorporated into the brood. (The Centaur and twin will not be introducing themselves in this way to the contestant. You will have to go out and find them yourself).
The show is created by Evan Dorkin and Jill Thompson, who are best known for being part of the Dorkin-Thompson team behind the much-beloved, much-reprinted and still ongoing series, The Batman: The Dark Knight Archives, produced by DC Comics. Dorkin-Thompson have provided the art for a couple of issues of The Batman. I have no idea why they would create their own show, but I know they work in a strip and a creator-owned book, and that’s probably all the information I
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This article is more than 6 years old
This article is more than 6 years old
A lawyer for the two men accused of being the London Bridge attackers has told jurors that both men “were confused, and lost control” and had a “bad day”.
Makrams Khan, 27, and Khuram Butt, 25, deny carrying out the atrocities after crossing the border from Syria in a car hired by the attackers.
But the pair, who deny murder and attempted murder, claim they did not know they were taking part in a terrorist attack and that they had no links to Islamic State (Isis).
Khan, of Hove, East Sussex, and Butt, of Cardiff, have said they were motivated by the “media bombast” of British foreign policy in Syria and Iraq.
Khan told the court he had been to Syria with his cousin, Sajid Badat, 27, and three friends, but had returned when he became “bored”. The court has been told the group were drunk when they arrived in the UK in July last year.
Butt is alleged to have driven the Ford Fusion in which three attackers carried out the attack on 6 June last year. The car was driven by another man, Youssef Zaghba, 22, of Italy, who has also pleaded not guilty to murder.
“Mr Khan, like Mr Butt, was confused and lost control in the parking lot on London Bridge of the man who was known to him, and to his friends,” said Stephen Vullo, QC, for the two men.
“Let me make it clear here: Mr Khan did not mean to kill. He was drunk at the time and had a bad day. He’d spent the day with his friends in the pub and on the way home his car was found at the bottom of the embankment by a London Bridge worker, now known to be one of the victims in this trial.”
The barrister said Khan had returned to Syria about a month later with Butt.
“Mr Khan left his passport behind in the pub that day. He was now un-personed. He had gone from being a human being, doing ordinary things, to being a fighting entity.”
He said he had been in contact with a sergeant in the military police, based in London, who had helpfully told the barrister that there was little chance of retrieving Khan’s passport from Syria, but they could
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